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Q&A with Ceramicist Joanna Ling
Q&A with Ceramicist Joanna Ling
11th May 2020

We are very excited to launch an exclusive collaboration with ceramicist Joanna Ling. We have all been fans of Joanna’s delicate, contemporary ceramics for a long time so were thrilled to be able to work on this collection together. Joanna has created a range of finely crafted candlesticks and bowls exclusively for us to sit alongside our summer collection. Read on for our Q&A with Joanna on her practise, and processes.

Birdie Fortescue Blog | Joanna Ling Portrait

Tell us a bit about about the collection you have created for us

The collection includes porcelain bowls, vases and candlesticks. All are handmade and each piece is unique. It has been fantastic collaborating so closely on these with you, as it is a real combination of my signature pieces but with new colours and exclusive designs to complement the rest of your Spring/Summer range.
Birdie Fortescue Blog | Joanna Ling Candlesticks
A combination of Moss-rimmed and Moss Bud Vases | from £30.00 each
Birdie Fortescue Blog | Joanna Ling Bowl
Large Moss Bowl III | £180

 

What led you to becoming a ceramicist?

I worked at Sotheby’s for many years and was lucky to be surrounded by beautiful artworks but yearned to be creative in my own right. I have always loved ceramics and am an avid collector, so it made sense to try my hand at making my own. I enrolled in an evening class while I was still at Sotheby’s and I was immediately hooked.
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Birdie Fortescue Blog | Joanna Ling Studio

What inspires you to create your pieces?

I was brought up in a tiny village in Hampshire, surrounded by beautiful countryside, and I now live a few minutes from Richmond Park, walking there most days, so the natural world is a huge inspiration for my pieces - be it in the organic forms they take or the decorative elements that are incorporated in them. Also, having run the Cecil Beaton Archive at Sotheby’s for over 20 years, I cannot help but be influenced by his wonderful sense of style and designer’s eye. In fact, earlier this year I designed and made a Cecil Beaton inspired collection for the National Portrait Gallery shop, to accompany their fabulous Cecil Beaton’s Bright Young Things show.

Birdie Fortescue Blog | Joanna Ling Studio

What’s most important to you in your work?

In a world of mass production it is very important to me that everything I design is handmade and unique. When someone buys one of my pieces, they know that they will own a one-off. A lot of my work is bespoke and I particularly enjoy making something that will be specific to a certain person or the place where it will be displayed.
Birdie Fortescue | Joanna Ling Candlesticks
Cornflower Candlesticks | from £60.00 each

 

You have a very distinctive style - how long did it take to develop your unique aesthetic?

I worked with porcelain from the start, making slab bowls and pinch pots, later learning to throw on the wheel. Although the most difficult clay to work with, I love its delicacy and translucency. A few months after taking up ceramics, I forced myself to submit a bowl for the Sotheby’s Staff Exhibition, held in their Bond Street galleries. To my great delight the bowl sold and I was commissioned to make some further similar pieces. This encouraged me to continue making in this style, but you never stop learning with clay and so the development continues!

Birdie Fortescue Blog | Joanna Ling Bowl

Small Moss Bowl III | £60.00

 

Are there any other designers, artists or makers who you find inspiring?

So many! Well I have mentioned Cecil Beaton… Art - Giorgio Morandi’s muted still lives and the Danish artist Vilhelm Hammershøi’s interior scenes. I also love the wallpapers and fabrics of Lewis & Wood and Juliet Travers and  I am a great fan of Luke Hope’s deceptively simple wooden pieces.

Birdie Fortescue Blog | Luke Hope 

As an interiors brand we are always interested in how people decorate their homes - can you tell us a little about your own home style?

I think eclectic would be how I would describe it. I aim for vaguely minimalist - I love the Japanese aesthetic - but end up getting a bit more maximalist than I intended, as my house is full of art and books that I have collected over the years. I definitely err on the side of simplicity, and love experimenting with the occasional strong colour. I am passionate about my garden which, although small, is very pretty and now it contains my studio I love it even more! 

Birdie Fortescue Blog | Joanna Ling Studio

We should probably mention this extraordinary situation we all find ourselves in at the moment - has lockdown changed the way you work or the way you view your work?

My business has not been impacted as much as many others, as I have the luxury of working from home anyway, but lockdown has really reinforced how important it is to me to have a creative outlet.  I am extremely lucky to have a home studio and, having more time to experiment, has given me the opportunity to test new designs and glazes. The situation the world is in now has confirmed my strong belief that one should live for the moment. Last year was a big year for me - not only investing in my business but also, having been freed from decades of office life, I took the opportunity to travel more (including finally visiting Japan) and generally take on new challenges. In retrospect, I am so glad I did this.

 Birdie Fortescue Blog | Joanna Ling Studio

Finally could we ask you to ‘guest edit’ our collection and pick your three favourite pieces?

That is so hard because I love everything! But… if I had to choose, then it would be  a painting by Sonia Barton, a limited edition Moroccan kilim pouff and one of the beautiful Kantha or Suzani throws.

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Birdie Fortescue Blog | Sonia Barton

Sonia Barton | Peonies, Early Morning | £950

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Birdie Fortescue Blog | Kilim Pouff

Limited Edition Kilim Pouffe | £450

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Birdie Fortescue Blog | Kantha Throw

Limited Edition Kantha Throw 0/2 | £145

 

SHOP BIRDIE FORTESCUE X JOANNA LING

Whether you are a dab hand with a brush or planning to get someone in, here are a few ideas of ways to enhance your space using our new paints.


Color swatches labeled with names from 'Birdie Fortescue' collection by Fenwick & Tilbrook.
Dining table setting with floral arrangement, candles, and plates in a room with a framed artwork on the wall.

Light and dark

Console table with decorative items against a green wall with floral artwork

This is a classic look for two reasons. Aesthetically speaking, splitting your wall into two distinct shades of light and dark – in this case, Nar above and Bure below – creates a sense of height and space in the room. The darker tone helps to ground the room while the brighter shade creates lightness and lifts the eye. From a practical perspective, the darker colour on the dado rail and wainscoting is also more forgiving for the wear and tear that our homes endure. It is also a very effective way to showcase paler coloured items of furniture like our Marble Top Crackle Console Table. We used our Coloured Wall Lights to link the lighter wall back to the rich tones of our Varuna Hand Tufted Trellis Wool Rug.

Handy hint: Rather than testing a paint colour directly on your walls, apply it to an A4-sized sheet of art card. That way you can audition the colour around your room and see how it changes with the light. You can also hold the painted card against your existing furnishings to test how they work together – and take the colour out with you when shopping for the room.

Beyond the pale

For those who think pale colours are a bit too safe or dull, please think again. For when used correctly they can create a wonderful space that is both warm and engaging. Here we have embraced the lightness, by using a combination of our Waveney paint above and Tud below. These hues provide a calm backdrop against which exquisite patterns like our Dumaloq Suzani can truly shine. The icing on the cake in this scheme is the sophisticated stripe of our Felipe Border pasted directly above the dado rail. Notice how it picks up on the accent colours within the Namda Felted Rug, and our Lattice Crewel Work Cushion.

Handy hint: Wallpaper borders are an easy way to create character and add a sense of structure to a plain room. If you are planning to paint a room just one colour, consider how a well-chosen border might add that extra something along your skirting boards and around the perimeter of your door frames.

Paper and paint

Here at Birdie HQ we love a patterned wallpaper but we also appreciate how four walls of it can feel a bit much. This is where a well-chosen paint comes into its own. For this scheme we combined the small-scale geometric tile pattern of our Sintra wallpaper with the deep calming

tones of our Wissey paint. The pair work wonderfully together creating a space that feels layered and considered. A bolder style such as this sits well with plainer pieces like our Abacus Floor Lamp and a treasured antique like this French 1970s Ulphostered Armchair, helping to bring out their sculptural qualities. Just a few judicious pops of pattern like our Crewel Work Cushion and the paintings of Lucy Innes Williams are all that is needed to complete the look.

Handy hint: When choosing your paint colours remember to consider how they will look against your flooring. For a more seamless look you may want to paint your walls and skirting boards the same colour. This works well in smaller spaces where you want to maximise the sense of space. However painting the skirting boards a different colour can be useful for balancing the transition from walls to floor – and adds an extra layer of interest to your scheme.

Gallery walls

Blue and red dining room with Fenwick and Tilbrook painted walls

If you own a very special piece of art, why not let it lead your paint scheme? Remember, you do not require clinically white walls to show pictures at their best. All you need is a sensitive eye and some thought as to what colours speak to you in the work and how they might translate into your room. This will ensure that your décor is complimenting not competing with your art. In our dining room, a rather splendid print by Keith Haring inspired our choice of Thurne for the richly painted dado and wainscoting, while we used Burn for the walls to allow the artwork space to breathe. Thurne’s bold red colour continues as an accent in the scheme from our Pumpkin Candlesticks and Ladder Stripe Napkins to our colourful Ziggurat Kilim Rug which provides a wonderful grounding for the space.

Handy hint: When your project is complete, be sure to transfer any small paint leftovers into a jam jar. This will come in very useful for touching up any future bumps or scrapes in the paintwork – and the paint will keep better as there is less air in the jar than the original tin. Should you find that you have a lot of paint left over, consider using it to paint the inside of a cupboard or an old piece of furniture that would appreciate the boost.

Neatly made bed with decorative pillows in a bedroom setting.

Which paint colour best suits my style?

Whether you’re drawn to soft, timeless neutrals or rich, characterful hues, our new paint collection has been carefully curated to bring warmth, depth, and individuality to your home. Each shade has been thoughtfully blended in collaboration with Fenwick and Tillbrook to harmonise beautifully with our furniture, lighting, and accessories - making it easy to create a cohesive and inspiring interior.

From grounding dark tones to uplifting pale shades, these paints offer endless possibilities to refresh and transform your home. Explore the collection today and discover the perfect colour to complement your style - available exclusively from Birdie Fortescue.

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